NBC’s GRIMM is a new drama series inspired by The Brother’s Grimm classic fairy tales. The series, written and jointly created by Stephen Carpenter, David Greenwalt, and Jim Kouf stars David Giuntoli, Russell Hornsby, Silas Weir Mitchell, Reggie Lee, Bitsie Tulloch, and Sasha Roiz. In Plumed Serpent, Nick meets a woman (guest star Danielle Panabaker) who might just be too hot to handle.
Said the Dragon, “Many knights have left their lives here, I shall soon have an end to you, too,” and he breathed fire out of seven jaws.
The Grimm Brothers tale Die zwei Brüder, The Two Brothers, is one of the most complicated of all the Grimm tales. The story hosts a multitude of themes that take two brothers on very different and complex journeys–involving a princess, many species of animals, a sword, and a 7-headed dragon (who ate many young maidens) that somehow in the end, they are finally reunited.
In last night’s episode, the story follows the “prince who is on a quest to save his girlfriend” with the predictable outcome. Warning, there be dragons in this tale! *Spoilers below*
If you play with fire…you’re gonna get burned.
When two men tried to rob an abandoned building of its copper, it seemed that they weren’t the only ones there. Even though one of the robbers was leery about entering the premises, greed, as always, pushes ill intentions forward. What met them was not only another copper thief, but a daemonfeuer (demon fire creature) as well. In the distance you hear a ‘cough,’ and then an tunnel of fire fries the robbers into crispy humans and piles of ash. Fleeing the scene, a man with a “Phantom of the Opera” like scarred face who nearly get’s hit by a car. Our daemonfeuer, perhaps?
Kudos on Daniel Baldwin for getting in on one of the hottest television series! The guy needed some decent work and it may be that he will be around for awhile as the new arson investigator? Anyway, he told Nick and Hank that this was no ordinary fire–these dudes looked as if they were hit by napalm! The residual substance had the chemical make-up of human adipose and methane. Flaming fat tissue, in other words.
Back at the station a witness came forward (the guy who almost hit the the Phantom-esq man earlier) to say that almost hit a man who looked homeless, running from the direction of the crime scene he heard about on the news. At the same time, the detectives get news of another break-in, which places them all in danger. As they cautiously investigate the building, the same homeless guy was there, and Sgt. Wu succumbed to whatever he spat out into the air. They escaped, just before a ball of flames headed their way. Analyses of the secretions led them to a Fred Eberhart (Daniel Knight), who happens to have a daughter, Ariel (Danielle Panabaker) who is an exotic, fire breathing dancer. Needless to say, she will soon cause Nick a bit of trouble.
Monroe likes to watch.
Meanwhile, at Club Trop Chaud, Monroe is front and center watching as Ariel is dancing the dance of fire. Nick also notices that she is a daemonfeuer and she notices him as a Grimm as well. In fact, she is making seductive eyes at Nick. Of course we can count on Monroe giving Nick more details on the show’s featured creatures, which he did. It seems that the daemonfeuer are obsessive treasure hoarders and hold up the traditions of old. The bit aforementioned about dragons, princesses, and knights in shining armor.
While Nick questions Ariel, she is constantly flirting with him and he is getting a little nervous at the attention he is receiving. She tells him that she doesn’t know where her father is and goes home. Nick, being the ever thorough investigator he is, follows her. It was there that she pounced on him, ripped his shirt open and “attacked” him.
Not only does she pounce Nick, she answers his phone when Juliette calls. When he gets home, he had to awkwardly explain to Juliette why a woman answered his phone., and she trusts him. But should Nick trust Ariel? Ariel calls Nick to tell him that she has information about her dad, and wants to tell him where to find him. It’s a trap. When Nick and Hank arrive to her home, she wasn’t there. It was a distraction–but for what.
The bitch is crazy!
She has kidnapped Juliette, and took her place in the bed. When Nick comes home and discovers that Juliette isn’t home, nor in bed, and that Ariel had taken Juliette’s place in the bed, this sets off a chain of events, that lead Nick and Monroe to an abandoned cave at the end of some train tracks. Monroe helps Juliette escape–and meets her for the first time–while Nick battles Ariel’s father. In the end, the prince slays the dragon, the princess gets away, and Ariel lives to fight another day.
Episode miscellany’s
— Monroe on the other hand, is appearing more involved–the brainier of the partnership. Nick’s almost complete dependency on Monroe is starting to handicap his character somewhat. Now I do commend the producers for allowing Nick to “come into” his Grimm character with the greatest of ease, I am not liking his info handicap. But it is understood that he is at a disadvantage here since he wasn’t paired with a Grimm elder of sorts to help him be aware of his powers.
— You know, I have a thought. Considering that Hank is Nick’s partner–he is at a severe deficiency by not knowing the things Monroe knows. Think about it for a moment. I may just put my foot in my mouth on this one, but, I see no reason for Hank to remain as Nick’s partner. I think the reason for his minimal appearance in the show, as the season progress is to diminish his importance. Same goes for Sgt. Wu. I think the producers are moving in this direction in an effort to “cut the fat.” The more people you have, the more you need to write them into the season. Hence, more to do with each character’s involvement. I might be wrong, but I had to make a note of this as well.
— Let’s revisit the issue with Juliette. In a prior review, well in pretty much all my reviews, I note that Juliette is one character in the series without a true purpose. I also mentioned that she is a distraction for Nick. In this episode, after she was kidnapped and all, and the ever increasing danger she may be involved in forces her to “rethink” her relationship with Nick. Nick even sees this evidenced by his Aunt’s “let her go” message popping in his head, warning him to let her go before she is placed in grave danger. He’s “listening” now. I think he is ready to let her go and it will save us from wondering why she is still in the show in the first place.
Overall, great episode. We are beginning to see all the pieces coming together, now. Bit by bit, episode by episode, the dots are starting to connect. Oh, and don’t forget, you can still catch last night’s episode on NBC.
Grimm returns Friday, March 30th at 9/8c with “Island of Dreams.“
Source: NBC
AIDY
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First off did he say there hoarded treasure? Second off aside from the human value I still don’t get their obsession with copper. At one point they were going to channel lightning or perhaps use copper to avoid lightning strikes that are somehow attuned to their bodies (ala Powder). In the end it just looked cool with no real explanation as to why copper and not say precious gems (which have been the traditional target of Dragons in myth) or beautiful junk (target of Dragons in a single representation I read once)
I’m don’t see Juliette going anywhere. She flounders she does little to nothing but in the arc of the show pretty much nothing ever happens. This ep was typical in the sense that almost nothing happened with the season plot. We finally got a conclusive hint that he wasn’t say.. the last Grimm but it didn’t develop beyond mentioning the death. I get why in the realm of the world a Grimm death doesn’t spread (bad for the Grimms) but honestly the Grimm society has to have a means of communication it can’t just be purely generational. There has to be SOME sort of protocol even if it’s only regional (Previous episode once indicated an ancestor met “someone with the same gift as me”).
Nick’s helplessness is amusing but in the realm of things it’s far down the list of complaints. The fact that I like Monroe helps. Here are 5 issues I have with the show that trump Nick’s helplessness
- No other Grimms
- I’m still not sure if the morph is voluntary, involuntary or what affect it has on the real world. Seeing someone morph doesn’t ALWAYs tip off that Nick is a Grim. This episode in particular had him spy people morphing in strip clubs and none of them “noticed he was a grim”. For a while I assume it was when he saw them morph and they noticed, but I’ve seen twice Nick looking at someone, they morph, they didn’t know. At this point I’m working on a theory that similar to how Nick sees creatures morph. They also, in their head, see him morph. We the audience just don’t see it.
- Monroe doesn’t get proper respect (we couldn’t make that man a Consultant or something?) even in this episode they should have a set up so if anyone asks he says I’m a consultant.. not a PI.
- no other crime; literally every case he gets is spooky. Really? It’s far more palatable when our magic officer of the law is assigned spooky cases. Rather than a beat cop and EVERY case is a monster. (See: X-Files, Dresden Files, Sanctuary, many more) If every case involves non-humans then you’ve functionally recreated Death Valley without the consistency of the entire force being in on the monsters.
- I hate poor research. Supernatural does a good job of showing me the brothers and whoever is helping them going HARD at research. Nick has a trailer full of stuff he never does more than glance at and yet he always find exactly what he’s looking for. It’s not like he studied the monster manual and recognizes anything (See Once Upon A Time). He just opens the book and *bam* answer.
Absolutely wonderful comment and thank you for it! Now, exactly what I had been thinking about the Nick/Monroe relationship and with Nick’s research methods. It is indeed annoying that Nick has to “consult” with Monroe and with all the information that is in his aunt’s trailer, use it so little. I hate that he use him as a ‘go to.’ I’ve seen Once Upon, and I got tired of the show being too girly. Maybe in the next season they will up the ante.
I think they are getting better with their creature morphs. I think it is an involuntary action and I think the other don’t know that Nick is a Grimm unless they are looking directly at him.
I agree that they should use them both for ‘special crimes.’ If murders are the only crime in Boston…I don’t think I would be going there–as a ‘show’ citizen.
Great conversation starter wolfkin. Much needed Grimm enlightenment.
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Oh an the Juliette nonsense. Yeah, she needs to go.
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OUAT is very girly if we want to use that adjective. Insanely so and the special effects are terrible. I haven’t seen the complete room green screen look that bad since V. Sanctuary used to/does do that but at least their version looks good. The major problem with OUAT is actually the myth aspect.
Grimm is “based on the works of the Grimm brothers”. It puports to tell the real story behind those myths. OUAT has a similar premise only it uses Disney as it’s template rather than the original texts. Grimm is loosely linked to the text as opposed to OUAT whic is DIRECTLY tied to the Disney myth.
For instance a major offender is Snow White. Typically these “fairy tale” stories would take the premise (Girl with Dwarves vs Evil Queen) and fit it into their universe (See any number of movies and TV shows like entire seasons of Charmed, Supernatural, Enchanted, Ella Enchanted, or Shrek). OUAT by contrast takes the literal seven dwarves down to the cheesy names and character designs. Their originality comes from either a) telling stories of side characters (Last week was all about how Grumpy became Grumpy), or b) telling the stories that happened before or after the movie (How Jiminy Cricket was transformed into a cricket from a man). All of which are actually interesting except for when they bite the Disney naming conventions. The story of the dwarf would be fine if he wasn’t named Grumpy.
Once you can stomach that (and it is a lot to swallow) the story is incredibly cohesive and somehow remarkably progressive. Things are happening in that show episode to episode. There’s consistency and logic. All in all, it is in my opinion a good show that can last maybe two seasons with a HUGE design choice flaw.
I’m actually ok with Juliette as a useless character. I could make a hilarious YT video about people who have no family. When you look at back at these shows sometimes it looks odd. Misfits is one example. All those ASBO kids and we only see Nathan’s family. I would be perfectly ok with Juliette if everything else was shored up. It would make for a great Season 2 finale when she finds out (See also Breaking Bad’s: Skyler White)… or only appears to as we find out in the Series 3 opener.
Yes, OUAT = very girly show and when you mentioned cohesiveness, the show’s definitely has it. I just could not take that it was a ‘too cute.’ I only watch a few shows at a time–I do not watch a lot of television shows.
Honestly, I do not see GRIMM lasting very long due to be gaps in the story. It might if it can fix the few flaws it has. I think they are trying to do too much all at once. A little tightening and they just may last another season.
Thank you for another awesome comment.
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