Tomas Leach, ‘The Glass Eye Maker’ – Review

Movie Review:
Tomas Leach

Reviewed by:
Rating:
5
On 06/10/2012
Last modified:09/14/2012

Summary:

British director Tomas Leach takes the viewer behind-the-scenes of a small workshop, run by Jost Haas.

The Last Eye Maker In Britian, Thomas Leach

He who can no longer pause to wonder and stand rapt in awe…”

British director Tomas Leach takes the viewer behind-the-scenes of a small workshop, run by Jost Haas. He manufactures glass eyes using the same techniques, unchanged for over two hundred years. Haas is a German immigrant who ventured to the UK 35 years before the human interest piece was filmed (2005) and is the last glass ocularist in Britain.

The workshop, small and cluttered, is where the magic happens; the glass eyes are made with such delicate care, revealing to the viewer the beauty of a fading art form. Realistic eyeballs and scleral shells packed away in boxes in an assortment of colors. One could even compare them to handmade candies–they are that remarkable. The tools involved in this particular trade aren’t fancy: glass, small welding and shaping tools, clear tubes for blowing into the glass, and a burner. Viewers are left in awe, pondering how can such simple tools form all sorts of shades for irises (it isn’t made entirely clear in the presentation).

Haas’ tale would not be complete if we didn’t get to know the person in front of the camera. Haas is a true professional, and dedication to producing products of excellent quality is apparent throughout the piece. He stops for small talk and commentary now and then, and resumes immersing himself in his trade. His daughter refuses to take up the craft, so there is a sense of loneliness here–he is the last person to apply this trade in his country. Such a shame when traditional specialties become not as important as other finely detailed trades.

Ben Todd was the cinematographer and is magnificent. The quality of the footage in this presentation is crisp–similar to a PBS production–and the close up shots of the eyes and the work being performed fascinates the audience, perhaps inspiring some minds to take up the occupation. If interest pieces–in particular on different professions–delights one’s fancy, it is suggested to give The Glass Eye Maker a watch. One of the most impressive documentaries I’ve seen–in under 5-minutes.

“…is as good as dead; his eyes are closed” – Albert Einstein

Source – Thomas Leach

British director Tomas Leach takes the viewer behind-the-scenes of a small workshop, run by Jost Haas.
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Sandy +AIDY Hoffman is the television, movie and game review writer of the AIDY Reviews website. Avid supporter of indie film and indie artist. PR Intern at MANIKIN Talent Agency. Currently pursuing a Bachelor's degree in Creative Writing for Entertainment and Transmedia storytelling from Full Sail University.
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Hey, have you tried movies? Writer Sandy Hoffman #gamer, movie lover and reviewer http://aidyreviews.net Avid supporter of #indiefilm and #indieartist #booyah
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2 thoughts on “Tomas Leach, ‘The Glass Eye Maker’ – Review

  1. He definitely is not the last ocularist in Britain, but I don’t doubt he’s the last one that still works with glass. Unless you want a highly breakable, unsafe prosthesis in your face (they would pop in your face while being in an airplane due to cabin pressure) They’re made with a durable acrylic now for a reason, world wide.

    • Ah! Thank you for the correction! I meant to say “the last glass ocularist in Britain” originally, so I will revise the review. I had no idea on the fragility of a glass eye prosthetic–I am enlightened by the art of making ‘glass eyes.’ A rare talent and a shame that it stand to be lost to the times.
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